Ellen Hopkins - Triangles | Youthink
Image credit:  Simon and Schuster Canada

Ellen Hopkins Tackles Big Issues in Triangles

Ellen Hopkins, author of New York Times bestseller Crank, has recently released her first adult novel, Triangles. Although it deals with mature issues, themes such as the quest for everlasting love and the struggle of self-discovery are relatable to many teens. Always full of inspiration, Hopkins is currently working on two more novels - Collateral, a novel about deployment, and Tilt, a spinoff of the teen characters in Triangles. Hopkins was kind enough take some time out to speak with Youthink about her new book, where she draws inspiration and her favourite authors.

YT: What were some of the challenges you faced when you first started your career as a writer?
EH: Trying to find a way to get paid for it. I had a college background in journalism so I went into freelance writing. I didn’t get the degree in it because I dropped out to get married. I was always writing poetry and fiction. I thought I might be a picture-book writer, which didn’t work out so well, but we discover where we belong as writers by experimenting, moving forward and trying different things.

YT: What drew you to writing in verse narrative?
EH: I’d always been writing poetry and then Crank, my first novel, was a very personal story inspired by my daughter’s story. Since it was so close [to home], it was hard to get the voice right on it. I really wanted to write about addiction and how quickly it can change who a person is, but writing it in prose the voice sounded more like my voice instead of like Christina’s (the character's) voice. So I put the story away and went to a writer’s conference where Sonya Sones was speaking. Sonya is another verse novelist and it just came to me that I should try writing it in verse.


YT: Triangles is your first venture into adult novels. How different was it for you to write for an adult audience?
EH: It wasn’t a big difference. The language is a bit elevated; the verse in it is a bit elevated. The difference really is that teens have a very narrow sense of their lives because they have only lived a certain number of years. Adults look at their lives through this kind of wider perspective so there’s more reflection in an adult novel than a teen novel because teens don’t reflect as far back.

YT: Are you going to continue writing adult novels?
EH: I’m writing one adult novel and one teen novel right now. The 2012 young adult is Tilt, which is a companion to Triangles. I’m writing Collateral, which is an adult novel about deployment, what that means to people and the loved ones left behind.

YT: Where did you find inspiration for such a heavy theme in Collateral?
EH: A lot of my readers are young military wives. Social networking and emailing is a big part of my life every single day, so when I’m hearing of young military families who are having people come home, the idea that we are going to have 40,000 men and women coming home from Iraq next month raises questions about how they are going to come home, how their families are going to find them and are they going to be able to mainstream back into society. It’s going to be very difficult and I want to keep a focus on the idea that they need service and help.

YT: Who are your favorite authors and how have they shaped your own writing style?
EH: Historically, I was a big Stephen King fan. I actually thought I was going to be the next Stephen King, but I haven’t done much horror. He is a very character-based genre writer and my books are all character driven. Ken Kesey’s One Flew Over the Cuckoo’s Nest and Sometimes a Great Notion also have really great multiple viewpoint character-driven stories.

YT: What is some practical advice you can offer aspiring authors?
EH: One thing is to obviously read a lot, because through reading you are learning story-building. You learn what works for you and what maybe doesn’t work for you. You are also learning character development. Read and write cross-genre, experiment, try different things and also be observers. By watching people and seeing how they react to things, listening to how they argue, how they talk to each other and watching how parents deal with their children, it all goes into your brain and then when you need character threads, out it pops. Watch people.

Comments (0)
Login or register to post comments. All comments have to go through a queue for approval to keep the nasty stuff out, but we'll post yours as soon as we can.
table of contents
April 2012 Issue: Youthink Magazine